How do (moving) images shape our visual memory? And how can we intervene in this process with digital means? These are the guiding research questions of the VHH project coordinated by the Ludwig Boltzmann Institute for Digital History together with the Austrian Film Museum. Starting from the extreme case of the images taken by Allied cameramen in the course of the liberation of concentration camps and other sites of Nazi mass crimes, the project’s aim is to rethink curation in the digital age.
Press Release (German Version)