The EU Horizon 2020 project “Visual History of the Holocaust: Rethinking Curation in the Digital Age” (2019–2022) explores the potentials as well as the limitations of digital technologies in the ongoing effort to preserve, analyze and communicate historical evidence of the Holocaust, and in particular audiovisual records. It is coordinated by the Ludwig Boltzmann Institute for Digital History (Vienna), in close collaboration with the Austrian Film Museum (Vienna).

Upcoming and Recent Events


VHH Research Seminar – Session 6: "Towards a Forensic Cinema"

Research Seminar
26.10.2021, 16:00 to 26.10.2021, 18:00
Zoom

In the sixth session of CERCEC's H2020 "Visual History of the Holocaust" Research Seminar, Fabian Schmidt and Alexander Zöller (both Film University Babelsberg) speak about film practices during the Holocaust.

Event image

Mapping Visual History of the Holocaust in the Digital Age: Approaching Holocaust Memory through Digitized Moving Images in the Visual History of the Holocaust and the Ephemeral Films Projects

Panel
24.09.2021, 11:30 to 24.09.2021, 13:30

The presentation introduces two online infrastructures that offer advanced search functions and online tools for viewing, reviewing, annotating and connecting moving images from the era of National Socialism and the Holocaust.

This event poster shows graphic illustrations only.

Relational Memories

Panel
09.07.2021, 10:00 to 09.07.2021, 12:00
Zoom

As visual media play an important role in shaping memory, we are rethinking the role of visual materials in the formation and transformation of memory from a perspective that views relations as a fundamental principle incorporating historical contexts, specific events, and particular places.

Media Reports


Media Report

Bildsprache des Massenmords: Digitalisierungsprojekt „Visual History of the Holocaust"

SWR2 - Wednesday, 27.01.2021

Radio feature by Sabine Mahr as part of the broadcast series „SWR2 am Morgen” on SWR2, a radio channel of the Südwestrundfunk (the regional public broadcasting corporation for the southwest of Germany)

Media Report

Holocaust-Gedenken auf Instagram und Co

Der Standard - Wednesday, 27.01.2021

Newspaper article by Bert Rebhandl published in the science section of the Austrian daily “Der Standard”

Publications


Deliverable

D1.5 EU Commission Policy Brief

This first out of two Policy Briefs of the VHH Horizon 2020 Innovation Action presents policy recommendations on a framework and roadmap for the digitization of cultural heritage.

Journal

The Westerbork Film Revisited: Provenance, the Re-Use of Archive Material and Holocaust Remembrances

Fabian Schmidt, The Westerbork Film Revisited: Provenance, the Re-Use of Archive Material and Holocaust Remembrances, in: Historical Journal of Film, Radio and Television, no. 40/4 (2020), 702-731.

The essay analyses modifications of the Westerbork footage that were applied most likely during the 1980s and discusses ethical questions about dealing with archival footage.

Website

Bildraum und Ausstellungsraum. Reenactment und Immersion?

Ulrike Koppermann, Bildraum und Ausstellungsraum. Reenactment und Immersion?, in: Visual History, 22.02.2021, https://visual-history.de/2021/02/22/bildraum-und-ausstellungsraum-reenactment-und-immersion/

At museums and memorial sites, the interpretation of a photograph greatly depends on its presentation, but on closer examination, some spatial arrangements raise ethical questions.

Journal

Atrocity Film

Fabian Schmidt, Alexander Oliver Zöller, Atrocity Film, in: Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe, no. 12 (2021), 1-80.

What if the SS as the main Nazi organisation responsible for the Holocaust produced a secret film about the persecution and murder of the European Jews during World War 2?