Noga Stiassny

Noga Stiassny is a postdoctoral research fellow at the DAAD Center for German Studies, the Hebrew University of Jerusalem. She holds a PhD from the Department of Art History at the Hamburg University (Dissertation: “Artscapes: Israeli Art and the Landscapes of the Holocaust”), where she was also a member of the Research Training Group ‘Recollections: Representations of the Shoah in Comparative Perspective’. She is a member of the international research group “Commemorating the Holocaust in the Digital Age: Immersion―Augmentation―Virtual Reality’ at the Hebrew University, and a former Guest Researcher at the Amsterdam School for Heritage, Memory and Material Culture of the University of Amsterdam (AHM). Noga Stiassny is also a former member of the research group “German postwar visual history in a European framework: historiography, appropriation, legal regulation” (DAAD Center for German Studies, Hebrew University, 2015–2016), and “Humanities and the Crises of Globalization: The Middle Eastern Perspective” (Minerva Humanities Center and Cohn Institute for the History and Philosophy of Science and Ideas, Tel Aviv University, 2014–2015), among others. Since 2016, Stiassny has volunteered for several commemorative and artistic projects such as “Ort der Verbundenheit: A Space to Remember, Connect and Support” (Hamburg, 2017–2018), “Social Bookmarking Qingdao” and “Social Bookmarking Hamburg” (Hamburg, Gängeviertel, 2016―2018). Her research interests are art history, visual history, heritage, memory, and Jewish culture, with a particular focus on landscape and spatial representation, on which she has published several articles.


Article Author

Digital Digging: Traces, Gazes, and the Archival In-Between

Evelyn Kreutzer, Noga Stiassny: Digital Digging: Traces, Gazes, and the Archival In-Between, in: Research in Film and History. Audiovisual Traces, no. 4 (February 2022), S. 1–13.

The Auschwitz Tattoo in Visual Memory

Tobias Ebbrecht-Hartmann, Noga Stiassny, Fabian Schmidt: The Auschwitz Tattoo in Visual Memory. Mapping Multilayered Relations of a Migrating Image, in: Research in Film and History. Video Essays (November 2022), https://film-history.org/node/1129

Digital Visual History: Historiographic Curation Using Digital Technologies

Tobias Ebbrecht-Hartmann, Noga Stiassny, Lital Henig: Digital Visual History: Historiographic Curation Using Digital Technologies, in: Rethinking History, vol. 27, no. 2 (March 2023), 159–186.

A Visual History of the Holocaust: Project Overview

Noga Stiassny, Lital Henig: Visual History of the Holocaust: Rethinking Curation in the Digital Age (Project Overview in Hebrew), in: Slil – Online Journal for History, Film and Television, vol. 15 (Winter 2022).

Participation in Public Deliverables

D2.2 Literature Database

Contributor

D2.4 Database of Films, Artworks, and other Visual Culture Products

Author

D2.5 Report on Digital Curation of Popular Culture Content

Author

D2.6 Expert Videos on Popular Culture Content

Author

D2.7 Advanced Digitization of Popular Culture Content

Author

D3.1 Definition of Engagement Levels, Usage Modes, and User Types

Contributor

D3.3 Ethics Guideline

Contributor

D3.4 Framework for Tool Kits, Best Practice Models and Future Network Activities

Author

D4.1 Controlled Vocabularies Specification

Contributor

Participation in Events

Kick-off Meeting

Meeting

Wednesday, 27.02.2019, 09:15 to Friday, 01.03.2019, 20:00

Taxonomy of Relations

Workshop

Monday, 19.08.2019, 13:30 to Tuesday, 20.08.2019, 17:00

Vocabularies

Workshop

Thursday, 21.11.2019, 13:45 to Friday, 22.11.2019, 17:00

Connecting the Fragments @Engaging the Past: Visual History of the Holocaust in the Digital Age

Presentation

Thursday, 16.01.2020, 10:00

75 Years after 1945: Liberation - A Moment in Time

Screening

Monday, 27.01.2020, 17:00 to Monday, 27.01.2020, 18:30

Citavi

Workshop

Thursday, 13.02.2020, 13:15 to Friday, 14.02.2020, 17:30

Consortium Meeting

Meeting

Tuesday, 23.02.2021, 15:00 to Wednesday, 24.02.2021, 19:00

Migrating Images in the Digital Age: Multimodal Curation of Visual Records from the Liberation of Nazi Concentration Camps in Digital Infrastructures

Presentation

Thursday, 06.05.2021, 14:00 to Thursday, 06.05.2021, 15:00

Teaching with Digital Exhibitions: The Gas Chamber and the VHH-MMSI

Presentation

Thursday, 03.06.2021, 15:00 to Thursday, 03.06.2021, 17:30

Relational Memories

Panel

Friday, 09.07.2021, 10:00 to Friday, 09.07.2021, 12:00

Israel's diasporic Artscapes: Between here and there

Presentation

Wednesday, 06.10.2021, 12:30 to Wednesday, 06.10.2021, 13:30

Visual Histories of 20th Century Occupation

Webinar

Tuesday, 12.10.2021, 10:00 to Tuesday, 12.10.2021, 11:00

Digital Digging: Video-essayistic Practices and Archival Film

Presentation

Thursday, 21.10.2021, 18:00 to Thursday, 21.10.2021, 18:15

Moving Images from the Archives. Historical Footage of Nazi Crimes in Documentaries

Conference

Sunday, 08.05.2022, 18:00 to Tuesday, 10.05.2022, 17:00

Visual History of the Holocaust – Project Presentation

Presentation

Monday, 04.07.2022 to Monday, 04.07.2022

Migrating Images and Image Migration: How Popular Culture Shapes the Visual History of the Holocaust

Conference

Monday, 12.09.2022, 18:00 to Wednesday, 14.09.2022, 20:00

Participation in Videos

Migrating Images in the Digital Age: Multimodal Curation of Visual Records from the Liberation of Nazi Concentration Camps in Digital Infrastructures

Thursday, 06.05.2021

Teaching with Digital Exhibitions: The Gas Chamber and the VHH-MMSI

Thursday, 03.06.2021

Visual Relations / Relational Memories

Friday, 09.07.2021

Visual Histories of 20th Century Occupation

Tuesday, 12.10.2021

Digital Digging: Video-essayistic Practices and Archival Film

Thursday, 21.10.2021

Researcher (curation of popular culture content: art)