The Ludwig Boltzmann Institute for Digital History (LBIDH, in the context of VHH simply LBI) embraces the development and application of digital technologies to transform the humanities on at least three different levels: methodically, organizationally, and content-related. Its main research focus lies on Visual History, Urban Studies, and Holocaust Studies.
The institute emerged from the Ludwig Boltzmann Institute for History and Society (LBIGG) which was transformed and renamed in 2019. Established in 1977 at the University of Salzburg, transferred in 1979 to the Institute of Contemporary History at the University of Vienna, the institute has been located at the Hofburg, the former imperial palace in Vienna, as a non- university research institute since 2010. Lead by Erika Weinzierl 1977–2005 and by Siegfried Mattl 2005–2015, LBI has been headed by Ingo Zechner since 2015.
Non-theatrical and other ephemeral films and the development of digital platforms have played a key role in many of LBI’s thematically linked joint projects with the Austrian Film Museum (OFM), like “Film. City. Vienna: A Transdisciplinary Exploration of Vienna as a Cinematic City” (2009–2011), “Sponsored Films” (2010–2013), “Amateur Film Archeology: Excavations in Modern Visual Culture” (2011–2013), “Ephemeral Films: National Socialism in Austria” (2011–2016), “Exploring the interwar world: The travelogues of Colin Ross (1885–1945)” (2015–2017), “Doing Amateur Film. Social and aesthetic Practices in Austrian Amateur Films between the 1920s and the 1980s” (2016–2019), the Horizon 2020 project “I-Media-Cities” (2016–2019)”, and “Educational Film Practice in Austria (2019–2022).
In its previous joint projects with OFM, in particular in “Ephemeral Films: National Socialism in Austria” and “I-Media-Cities”, LBI conducted pioneering work and gathered broad experience in the development of digital film annotation, including the implementation of technical standards, the creation of semantics and ontologies (mainly controlled vocabularies), the design of web platforms addressing different user groups, and the execution of metadata enrichment on a large scale. LBI’s longstanding research focus on ephemeral films leads to an in-depth understanding of their potentials for SSH research and of the needs of researchers and other users who actually work with amateur ephemeral and “useful” films.
LBI is a research unit of the Ludwig Boltzmann Gesellschaft (LBG). Founded in 1960, LBG is an independent Austrian research institution with a thematic focus on medicine, life sciences and the humanities, specifically targeting new research topics. Together with academic and implementing partners, LBG is currently running 19 institutes and employing 550 people who develop and test new forms of collaboration between science and non-scientific actors such as companies, the public sector and civil society.
Role in the Project
LBI is the coordinator of VHH. In this capacity and as leader of the respective work package, LBI ensures that the project progresses in line with the work plan, is responsible for administrative and financial management of VHH, and provides strategic guidance and support to the consortium in the implementation of their tasks.
LBI is deeply involved in all work packages and leader of tasks related to the identification and digitization of Holocaust-related filmic documents in the US, the development of controlled vocabularies and the validation of automated analysis.
Team Members
Heinz Berger
Research support and administrative support
Ludwig Boltzmann Institute for Digital History (Ludwig Boltzmann Gesellschaft)
Sema Colpan
Project Management, Ethics Manager, Brand Steward
Ludwig Boltzmann Institute for Digital History (Ludwig Boltzmann Gesellschaft)
Vrääth Öhner
Film and media theorist, digitization expert
Ludwig Boltzmann Institute for Digital History (Ludwig Boltzmann Gesellschaft)
Alexander Prenninger
Researcher, concentration camps expert, Citavi project coordinator
Ludwig Boltzmann Institute for Digital History (Ludwig Boltzmann Gesellschaft)
Joachim Schätz
Project Management (until February 2019), Ethics Manager (until February 2019), film expert, advisor
Ludwig Boltzmann Institute for Digital History (Ludwig Boltzmann Gesellschaft)
Michaela Scharf
Editor (VHH Website)
Ludwig Boltzmann Institute for Digital History (Ludwig Boltzmann Gesellschaft)
Fabian Schmidt
Researcher (curation of popular culture content: films), closely working with the team at The Hebrew University of Jerusalem
Ludwig Boltzmann Institute for Digital History (Ludwig Boltzmann Gesellschaft)
Ingo Zechner
Project Coordinator, Work Package Leader, member of the Management Board, LBI team leader, researcher
Ludwig Boltzmann Institute for Digital History (Ludwig Boltzmann Gesellschaft)
Jakob Zenzmaier
Key Researcher (vocabularies, film and text annotation)
Ludwig Boltzmann Institute for Digital History (Ludwig Boltzmann Gesellschaft)
Article Author
Atrocity FilmFabian Schmidt, Alexander Oliver Zöller, Atrocity Film, in: Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe, no. 12 (2021), 1-80. |
The Westerbork Film Revisited: Provenance, the Re-Use of Archive Material and Holocaust RemembrancesFabian Schmidt, The Westerbork Film Revisited: Provenance, the Re-Use of Archive Material and Holocaust Remembrances, in: Historical Journal of Film, Radio and Television, no. 40/4 (2020), 702-731. |
Filmography of the Genocide: Official and Ephemeral Film Documents on the Persecution and Extermination of the European Jews 1933-1945Fabian Schmidt, Alexander Oliver Zöller: Filmography of the Genocide: Official and Ephemeral Film Documents on the Persecution and Extermination of the European Jews 1933-1945, in: Research in Film and History. Audiovisual Traces, no. 4 (February 2022), S. 1–160. |
The Auschwitz Tattoo in Visual MemoryTobias Ebbrecht-Hartmann, Noga Stiassny, Fabian Schmidt: The Auschwitz Tattoo in Visual Memory. Mapping Multilayered Relations of a Migrating Image, in: Research in Film and History. Video Essays (November 2022), https://film-history.org/node/1129 |
Participation in Public Deliverables
Participation in Events
Pre-Kick-off MeetingMeeting Friday, 19.10.2018, 09:15 to Saturday, 20.10.2018, 18:00 |
Liberation Footage and the Visualization of the HolocaustPresentation Friday, 30.11.2018, 11:00 |
Kick-off MeetingMeeting Wednesday, 27.02.2019, 09:15 to Friday, 01.03.2019, 20:00 |
Advanced DigitizationWorkshop Wednesday, 20.03.2019, 09:30 to Friday, 22.03.2019, 16:00 |
Curation of Engagement LevelsWorkshop Monday, 20.05.2019, 09:00 to Tuesday, 21.05.2019, 17:00 |
Archival ResearchMini-Workshop Wednesday, 12.06.2019, 13:30 to Thursday, 13.06.2019, 18:00 |
Taxonomy of RelationsWorkshop Monday, 19.08.2019, 13:30 to Tuesday, 20.08.2019, 17:00 |
Archival Research in Eastern European ArchivesMini-Workshop Monday, 14.10.2019, 13:30 to Tuesday, 15.10.2019, 17:00 |
MetadataWorkshop Monday, 21.10.2019, 09:00 to Tuesday, 22.10.2019, 16:00 |
VocabulariesWorkshop Thursday, 21.11.2019, 13:45 to Friday, 22.11.2019, 17:00 |
Bilder der Befreiung. Liberation Footage - Atrocity PicturesScreening and Discussion Monday, 09.12.2019, 10:00 to Monday, 09.12.2019, 12:00 |
Allied Attempts to Cover Nazi Crimes on Film. What Questions can the Footage Answer?Workshop Friday, 13.12.2019, 10:30 to Sunday, 15.12.2019, 13:00 |
CitaviWorkshop Thursday, 13.02.2020, 13:15 to Friday, 14.02.2020, 17:30 |
NonAV Metadata (Citavi)Mini-Workshop Wednesday, 27.05.2020, 13:00 to Wednesday, 27.05.2020, 17:00 |
In Focus: Approaching the Visual History of the Holocaust through Digital TechnologyPresentation Tuesday, 24.11.2020, 16:00 to Tuesday, 24.11.2020, 17:30 |
Engaging with the Visual History of the Holocaust Through Digital Curation: The Case of the VHH-Media Management and Search InfrastructurePresentation Tuesday, 08.12.2020, 17:30 to Tuesday, 08.12.2020, 17:50 |
Text AnalysisMini-Workshop Tuesday, 12.01.2021, 09:30 to Tuesday, 12.01.2021, 13:00 |
Relation DetectionMini-Workshop Tuesday, 26.01.2021, 14:00 to Tuesday, 26.01.2021, 17:00 |
Exploitation RoadmapMini-Workshop Tuesday, 02.02.2021, 09:30 to Tuesday, 02.02.2021, 13:00 |
The VHH Horizon 2020 Innovation ActionPresentation Wednesday, 10.02.2021, 10:00 to Wednesday, 10.02.2021, 12:00 |
Advanced Digitization: Tool Kit & Best Practice ModelsPresentation Friday, 19.02.2021, 11:00 to Friday, 19.02.2021, 12:00 |
Consortium MeetingMeeting Tuesday, 23.02.2021, 15:00 to Wednesday, 24.02.2021, 19:00 |
VHH Research Seminar – Session 1: The Making of Majdanek – Cemetery of Europe (1944)Research Seminar Thursday, 25.02.2021, 16:00 to Thursday, 25.02.2021, 18:00 |
VHH Research Seminar – Session 2: Dziga Vertov’s Blood for Blood (1941) in the Interval of Fall 1941Research Seminar Friday, 26.03.2021, 16:00 to Friday, 26.03.2021, 18:00 |
VHH Research Seminar – Session 3: Soviet Footage on Nazi Crimes and Its Textual Documentation: Identification and Research IssuesResearch Seminar Tuesday, 06.04.2021, 16:00 to Tuesday, 06.04.2021, 18:00 |
Unfolding the Visual History of the Holocaust through American Liberation FootagePresentation Thursday, 08.04.2021, 13:00 to Thursday, 08.04.2021, 14:30 |
Migrating Images in the Digital Age: Multimodal Curation of Visual Records from the Liberation of Nazi Concentration Camps in Digital InfrastructuresPresentation Thursday, 06.05.2021, 14:00 to Thursday, 06.05.2021, 15:00 |
VHH Research Seminar – Session 4: Un-Seen: The Manyfold Lives of a 1943 Deportation Film Footage across the East-West DivideResearch Seminar Tuesday, 18.05.2021, 16:00 to Tuesday, 18.05.2021, 18:00 |
VHH Research Seminar – Session 5: Soviet Filmed Atrocity Images on American Movie Screens, 1942–1945, and Some Partial Answers to the Questions of What, When, Where and By Whom?Research Seminar Tuesday, 15.06.2021, 18:00 to Tuesday, 15.06.2021, 20:00 |
Relational MemoriesPanel Friday, 09.07.2021, 10:00 to Friday, 09.07.2021, 12:00 |
Reconsidering Representations of the Holocaust – Digital Curation, Evidence and Remembrance Through the VHH ProjectRoundtable Tuesday, 12.10.2021, 16:00 to Tuesday, 12.10.2021, 17:30 |
Digital Transformation of Analog FilmPresentation Tuesday, 19.10.2021, 18:00 to Tuesday, 19.10.2021, 18:20 |
VHH Research Seminar – Session 6: Towards a Forensic CinemaResearch Seminar Tuesday, 26.10.2021, 16:00 to Tuesday, 26.10.2021, 18:00 |
Dunkles Erbe: Digitales Kuratieren von Holocaust-FilmenPresentation Thursday, 04.11.2021, 15:30 to Thursday, 04.11.2021, 15:30 |
VHH Research Seminar – Session 7: How to Tell the Story of Liberated Concentration Camps: On the Written Documents of British Cameramen and FilmmakersResearch Seminar Tuesday, 23.11.2021, 16:00 to Tuesday, 23.11.2021, 18:00 |
Digitales KuratierenPresentation Thursday, 21.04.2022, 10:30 to Thursday, 21.04.2022, 12:00 |
Tracing Visual Evidence of the Holocaust: Challenges of the Digital Curation of Liberation Footage across Archives and DisciplinesPanel Tuesday, 26.04.2022, 09:00 to Tuesday, 26.04.2022, 10:30 |
VHH Research Seminar – Session 10: Between Fiction and History: Ethical Questions during the Historical Research for Son of SaulResearch Seminar Thursday, 28.04.2022, 16:00 to Thursday, 28.04.2022, 18:00 |
Moving Images from the Archives. Historical Footage of Nazi Crimes in DocumentariesConference Sunday, 08.05.2022, 18:00 to Tuesday, 10.05.2022, 17:00 |
VHH Research Seminar – Session 11: By Filming, by Writing. Photographic Testimonies of the Nazi CampsResearch Seminar Thursday, 09.06.2022, 16:00 to Thursday, 09.06.2022, 18:00 |
VHH Research Seminar – Session 12: Writing the History of the Holocaust and of Mass Violence in Nazi-Occupied KharkivResearch Seminar Thursday, 16.06.2022, 16:00 to Thursday, 16.06.2022, 18:00 |
Migrating Images and Image Migration: How Popular Culture Shapes the Visual History of the HolocaustConference Monday, 12.09.2022, 18:00 to Wednesday, 14.09.2022, 20:00 |
Documenting Nazi Crimes through Film: Soviet Union, 1942–1945Conference Thursday, 24.11.2022, 09:30 to Sunday, 27.11.2022, 16:30 |
Von Bildern extremer Gewalt und vom digitalen KuratierenPresentation Friday, 27.01.2023, 18:00 to Friday, 27.01.2023, 20:00 |
RememberScreening Friday, 27.01.2023, 20:30 to Friday, 27.01.2023, 22:30 |
Holocaust Remembrance Day – Digitales KuratierenPresentation Friday, 27.01.2023, 09:00 to Friday, 27.01.2023, 12:30 |
Das Fortunoff Video Archive, Überlebende und "archivarischer Aktivismus"Presentation Sunday, 29.01.2023, 15:00 |
Kinodokumenty o zverstvach nemecko-fašistskich zachvatčikov (Die von den deutsch-faschistischen Invasoren verübten Gräueltaten)Screening Sunday, 29.01.2023, 18:00 |
Film als Zeuge?Panel Discussion, Presentation Wednesday, 03.05.2023, 18:30 to Wednesday, 03.05.2023, 20:30 |